Upcoming-Movies.com: So, how does one book a gig, directing the sequel to “Piranha 3D?”
John Gulagar: I think it came off of the “Feast” movies. In my world, they called everyone else and they turned it down, but no, I got a phone call, from Bob Weinstein. ‘Piranha? You want to do it?’ And I was like, ‘okay, sure.’ I liked the first one, the one that came out a couple of years ago. I had no idea I was going to do the sequel. I saw it at Chinese and watched it, and ironically, that’s where we’re going to play. It was kind of weird that I ended up doing the sequel.
What I liked about the first one is that it’s totally unapologetic, and it knows exactly how kind of a movie it is.
John Gulagar: Also, that one girl, the French girl, was such a good actress. And she got naked. It was so great. But they killed her.
Do you feel like it’s in the same spirit or vein?
John Gulagar: Yeah, I’d say so. I mean, you could look at that one and go, ‘well, it’s ludicrous, the piranha coming up from the earthquake, blah blah blah.’ We actually had piranhas in the drainpipe, so possibly you could even say that ours is a little more kooky. But then again, we take the kookiness and we try to play it straight, which is, in my mind, what they did. I don’t want to think about how awful it could be. You take a kooky premise, and, like a comedian does a crazy thing with a straight face, that to me becomes funny and watchable.
So, when you get brought on to a project like this, the sequel to what was a seriously profitable venture, how much latitude do you have to make it your own?
John Gulagar: I’ll just say, straight out, this is obviously the biggest film I’ve ever worked on. In that, the studio becomes more involved. That’s just the way it is. I think maybe when you become Quentin or one of these other guys, it’s not like that. But for me, doing “Piranha,” it’s on the radar.
Well, it’s a huge opportunity for you, too.
John Gulagar: Sure, it’s a big opportunity, but everything like this is an opportunity for the studio and the actors. Everybody has a stake in it. This is something people are going to see, at the theater, on TV, on DVD. It’s going to be here.